Do you like word games and the cinema of Cédric Klapisch? You should have no trouble identifying the titles of his films.
Jack the liar, Glamor always, In Transit or even Ce qui me meut, nominated for the Césars and which has become the name of his production company: from his first short films, Cédric Klapisch made it clear to us his love for games of catchy words and titles. And it’s not by switching to the long format that things have changed.
Released in our theaters this Wednesday, March 30, En Corps, his fourteenth feature film, is no exception, so much so that we wonder what the director has in store for us with each new opus, and how he will manage to link the different themes with a pun.
Released between two episodes of its generational trilogy carried by its muse Romain Duris, Paris is also an exception. Because there is no question “than” of crossed destinies in the French capital, without anyone seeing anyone making predictions, studying odds and gambling.
But are you an expert on Cédric Klapisch film titles? Do you know what each pitch, each synopsis refers to? Here are nine questions to find out. Or prove it.
Did you know ?
Cédric Klapisch undertook the preparation of the film with the idea that he wanted real dancers who play comedy and not actors who dance. He therefore began, even before writing, to make a casting first among the dancers of the company of Hofesh Shechter then among the dancers of the Paris Opera… If most dancers knew how to play, their relationship to the text was more complicated. The choice of Marion Barbeau, whom he had already filmed in a show, was obvious: “She emanates an incredibly touching naturalness. I feel that this spontaneity can be wonderful to film. I obviously know that there will be a lot of work but the essential is there. »