Charlene de Monaco: The smile found with Albert, she shines at the Monte-Carlo Festival!

Since last year and her interminable stay in Africa marked by a flood of sometimes grandiloquent rumors, we said the princess Charlene of Monaco in depression, sad, dejected, on the verge of divorce… But, in the end, since her health problems are behind her and she has returned to the Monegasque rock, it is a smiling and jovial princess who appears in front of the photographers.

After having missed a lot of social events that punctuate the life of the principality, Charlene of Monaco is catching up! We saw her at the F1 Grand Prix, at Fashion Week or even on the balcony of the palace for Corpus Christi. Friday, June 17, it was at the Grimaldi Forum that she could again be seen. Indeed, the princess participated in the opening ceremony of the 61st edition of the Monte-Carlo Television Festival. Dressed in an emerald dress draped and revealing a bare shoulder, from the Lanvin house (about 3000 euros), Charlene de Monaco was resplendent. The one who offers herself a new haircut with a raised platinum blond effect on the top, had accessorized her outfit with long earrings made of diamonds, matching her bracelet, as well as a small golden clutch held in hand and gold strappy stiletto heels.

Charlene of Monaco (44 years old) took the pose with a smile and relaxation, even exchanging a few moments of complicity with her husband Prince Albert. The couple posed with several Festival VIP guests such as Darko Peric (Money Heist) or Neal McDonough (Desperate Housewives). The princely couple also went on stage during the evening to present the young actor Théo Christine (from the film Supremes, soon in the series BIS of Channel +) the 1st Golden Nymph of the best international hope.

Prince Albert also gave a speech to salute the action of the festival – launched in 1961 by Princess Grace and Prince Rainier – which makes sure to put in the spotlight “creativity, quality of fiction production” and which strives to be up to date through its programming, notably integrating new modes of program consumption, in particular via streaming platforms.

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