From the Renaissance to Kate Moss, shoulders freed from the yoke of their braces

PTo admire a bare shoulder or two, you just have to push open the door of any church or art gallery in Italy. Faced with the women and fashions of past centuries, the permanence of wide necklines and adjustable shirts with a cord that considerably opens the neckline and undresses the throat, we come to wonder why modernity wanted to dress up all that.

At the Palazzo Barberini, in Rome, La Fornarina is the portrait, attributed to Raphaël, of a young woman, a mysterious “baker”, whose jeweled ribbon on her left arm strangely resembles a lowered strap, completely revealing a chest that a veil does not seek to cover.

In the XXe century, not worrying about a slipping strap finds a very special illustration in the film flash dance (1983), by Adrian Lyne, which relaunched a period of wide necklines on a planetary scale. In the 1990s, Courtney Love and Kate Moss spent their lives letting the straps of their babydoll lead theirs.

In parallel with grunge and the tight little tops with extra thin straps that will soon invade the show “Top 50”, all the female stars of teenage series and half of rap are working to popularize the half-buckled overalls. To name just one, let’s remember Tiffani Thiessen, aka Kelly Kapowski, head cheerleader of the American series saved by the bell, mocked at the time because of the ton of hairspray which kept her young hair in the air, but which would be all the rage today with her open yellow overalls on her wide T-shirt with rolled-up sleeves.

A question not of virtue but of independence

The gesture of the faded suspender leaving a bare shoulder seems to find a resonance through the ages in the myth of the supposedly light woman. We think she says yes to everything and doesn’t bother with much, starting with the way we look at her when her body (by what magic?) is revealed. Daughter of the people, shepherdess, peasant, Liberty guiding the people, maid, waitress, dancer, anti-heroine, bimbo, singer, influencer: a gallery of women who are both free and prisoners of reproachful gazes has emerged over time.

Replacing the strap – which never stops falling – or not caring about it is not and never has been a question of virtue, but rather of independence. Baroque, grunge, hip-hop or fashion, this fashion pays homage to all those singled out and calls for a renewal of our vision. Women’s shoulders would finally be freed from a weight.

Catwoman minidress, in latex and metal mesh, Lanvin, €8,490.
Emue triangle top, in embroidered tulle, Quoi bodysuit, in mercerized cotton and Enigme nightie, in silk satin, Eres, €270, €380 and €190.
Pleated silk top, handmade print, Azur × Preclothed, €260.  Bib dungarees, in cotton, Carhartt WIP, €139.
Polyamide and elastane corset dress, Mugler, €1,390.  Pants, Diesel.
Nida cotton and elastane tank top, Baserange, €60.  Cotton U T-shirt, Uniqlo, €12.90.
Silk and metal dress, Paco Rabanne, €690.

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