“I don’t blame him”: Camille Lellouche once again evokes the Blanche Gardin controversy and LOL: who laughs comes out!


In the columns of Ciné Télé Revuethis Thursday, December 28, Camille Lellouche confided about her fulfilled family life, about her ultimate discretion regarding her companion, but also returned to the controversy caused by Blanche Gardin on the comedy series LOL: Who laughs comes out! As a reminder, in April, the 46-year-old comedian announced that he had refused to participate in the Prime Video program, whose stamp seemed way too important compared to that offered to the winner’s association. She also attacked the celebrities who accepted the offer, attracting the wrath of the personalities in question.

Camille Lellouche had notably already reacted to this attack on the microphoneWe’re doing TV again, last October 14, and she did it again with our Belgian colleagues from Ciné Télé Revue. The young mother, who participated twice in LOL: Who laughs comes out! (in 2022 in season 2 and in the special Halloween edition Who screams, comes outin October 2023) estimated that “It’s a pointless debate.” Cash, the singer declared that Blanche Gardin “could have given his stamp – which is enormous and which not everyone had [on lui proposait 200 000 euros pour une saison, NDLR] – to an association”, rather than criticizing the personalities who signed a lucrative contract with Prime Video for a single day of filming. “I don’t blame her, because she’s a great artist,” she nevertheless concluded, admiring the talent of Blanche Gardin.

A participant who was offered less money

Alongside Jade and Éric Dussart, on RTL more than a month ago, Camille Lellouche already affirmed that “Everyone does what he wants”, specifying that she found “very inappropriate to take out the amounts”, as the comedian did, which are not valid for all participants in the comedy series. For her part, little Alma’s mother assured that she had not actually received 200,000 euros, like what was offered to Blanche Gardin. “You still have to say to yourself that it’s entertainment, that it’s still work upstream [pour] the sketches, the jokes… It’s not improv”, she felt obliged to say as if to justify herself, indicating that the famous day of filming still lasted “twelve o’clock” intense.

Article written with the collaboration of 6Medias

Photo credits: Cannes Magnum/Jeremy Melloul/Bestimage



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