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Instant Vintage: when Christian Clavier posed for Télé Star in 1982


On the occasion of the 70th birthday of Christian Clavier, which took place on Friday May 6, 2022, Télé Star decided to bring out of its archives photos of the actor dating from 1982. He was then only 30 years old.

Now one of the most popular actors in the history of French cinema, Christian Keyboardwas still just a budding young actorrather promising, when he agreed to pose for TV Star in 1982. This car enthusiast then renewed the experience the following year, when he staged himself in his friend’s Mercedes Bruno Moynot. In addition, the cast member of the splendid confided in about the film Tell her that I love her, which was broadcast on FR3 that year (ancestor of France 3).

“I have excellent memories of this film and I regretted its relative commercial failure. After The devil in the box, it was my second important role (…). I play a fairly tidy young provincial, but who doesn’t get along well with his wife” he explained. A feature film in which Christian Keyboard shared the poster for the first time with a certain Gérard Depardieu.

Christian Clavier on his first shoot with Gérard Depardieu: “It was even an exciting experience”

“It was my first meeting with Gérard Depardieu. I admit that he impressed me with his talent. At first, I was even apprehensive about having to shoot for 3 months with him. In fact, everything went very well. It was even an exciting experience. And I would love to do a movie with him again.” then told the young Christian Clavier.

The actor’s wish will finally be granted, since he will play again alongside Gérard Depardieu in several other films as Asterix and Obelix against Caesar, Asterix and Obelix: Cleopatra mission, or even Guardian Angels. He did not suspect it at the time, but the film Tell her that I love her was going to score the beginning of a very fruitful collaboration between the two actors.They also recently shared the poster for a new feature film, called Exceptional convoy.

A slideshow produced by Isabelle Minard-Borde

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