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Fragments, sketches, aphorisms: with “Lignes de vie”, the writer makes mischief sparkle.
by Marc Lambron, FROM THE FRENCH ACADEMY
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On can conceive of a book as a herbarium of preferences. In lifelines, Jean-Paul Enthoven chooses over 280 pages the form of the fragment, the aphorism, the anecdote, the sketch, the appeal of fiction. A succession of brief shards of flint, with La Bruyère features, the antics of a facetious moralist. How to give of yourself “unfaithful and intentionally blurred reflection” when the law of lying-truth immediately betrays this proclamation to better bring velvety truths? Let’s say first that we have here a treatise on gratitudes. With Enthoven, the roots aspire to the branches: the present life is increased by the tutors who have known how to cross it. At home, they are above all writers. From Casanova to Fitzgerald, from Flaubert to Modiano, the author embarks his unicorns on a…
Marian Adreani/Ed. Grasset