Schiele, Klimt and Co – That’s why paintings in the Leopold Museum hang crooked

The Leopold Museum filmed famous paintings of landscapes by Schiele, Klimt and Moser. The associated explanations are also crooked. The employees of the museum reveal what this is all about on Twitter, among other things.

The action is intended to demonstrate the effects “of just a few degrees more”, it says. These would turn the world into an uncomfortable place. Finally, more details can be found at the link posted to the image. Although scientists have been warning of an increase in the global climate of more than 1.5 degrees Celsius for years, the behavior of most people is not affected by this. The difference is hardly noticeable and is too abstract. For this reason, the Leopold Museum has joined forces with the Austrian climate research network CCCA (Climate Change Center Austria) and twelve scientists from various fields such as biology, geology and meteorology. Together they determined the exact number of degrees by which climate change would affect the landscapes depicted in the paintings. The works of Egon Schiele, Gustav Klimt and Gustave Courbet were filmed in exactly the same way. This is intended to show that the rise in temperature is having a massive impact on coasts, mountains, lakes and cities. The project would help “to learn about the effects of climate change that are throwing nature off balance,” it reads. A decline in glaciers and plant species are given as examples. The employees of the museum are convinced that this can create more climate awareness among visitors. Not a single poster will be printed. Split reactions The reactions to the Twitter post are very different. While some speak of a “super” or “very cool campaign”, other users accuse the museum of satire or recall an earlier collaboration with OMV. There are also some who doubt that the project can make a difference. Incidentally, in November last year, climate activists of the “last generation” pelted a Klimt painting in the Leopold Museum with oil. Then they glued themselves to it. At the time, director Hans Wipplinger spoke of legitimate concerns, but a wrong way to achieve the goal. Museums are a prime example of sustainability, as they would secure the cultural heritage for future generations.
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