the agreement on the remuneration of artists is finally signed

The agreement in principle was in theory guaranteed by law since July 2016: a minimum remuneration was to be fixed for performers under music streaming. But music producers, artists and unions have been torn over this issue for years. The gong effect – the deadline set before May 13 to find an agreement – ​​forced the different parties to agree under the aegis of the music mediator, Jean-Philippe Mochon, to whom the Minister of Culture, Roselyne Bachelot, had entrusted this file.

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This agreement guarantees for the artists whose name appears on the cover “a royalty rate of more than 10%”, “creates a right to systematically receive a minimum advance from the producer of 1,000 euros per album (and 500 euros for very small labels)”, “fixes a maximum rate and duration of ‘allowed reductions’ and finally pose “the principle of a rate bonus in the event of significant success”.

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Musicians paid per fee will receive a lump sum for streaming (more than 100 euros per musician for an album) and a bonus with additional remuneration from the golden half-single, i.e. 7.5 million euros. listening.

“Historic Agreement”

In addition, the signatories undertake to support all producers, even the most vulnerable, within the framework of a professional solidarity system co-financed by the State. The National Syndicate of Phonographic Publishing (SNEP) is delighted to “this historic agreement”, which allows you to adapt “the relationship between performers and producers with new uses of music consumption”, all in “respecting the economic model” of all music companies, “whatever their size and their ability to produce and develop performers in France”.

For the Union of Independent Phonographic Producers (UPFI), it is “it is imperative, within five years, to consolidate the economic models (…) to bring out national champions”. For its part, the Union of contemporary music (SMA) brings a downside. Since the cash flow and the profits of the small labels are limited, he asks the civil societies of producers to make a more formal commitment to cover half of the advances. The SMA is also awaiting the conclusions of the study conducted by the National Music Center on the fake streams (false listening), which “unbalance the remuneration of artists in the streaming system”.

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