TOP 3 MOVIES ACCORDING TO PRESS:
1st: Flow, the Cat Who Was No Longer Afraid of Water – 4.3/5
‘An utterly stunning animated film that completely revitalizes the genre.’ – Laurent Cambon (aVoir-aLire.com)
‘A miraculous success, as the film’s technical, aesthetic, and narrative ventures hold firm from start to finish.’ – Adrien Delage (Konbini)
2nd: Anora – 4.2/5
‘The story takes unexpected turns, playing with tonal shifts and continuously reinventing itself without dull moments or moral judgement.’ – Stéphanie Belpêche (Le Journal du Dimanche)
‘Like its titular heroine, Sean Baker’s latest film intrigues and dazzles with youthful vigor and audacity.’ – Frédéric Mercier (Positif)
3rd (tie): Juré n°2 – 3.7/5
‘A subtle direction with escalating emotion leading to a striking, unexpected finale. Perhaps Eastwood’s last film, but one of his best.’ – Françoise Delbecq (Elle)
‘Beneath a straightforward thriller lies profound depth. The film grows increasingly exquisite.’ – Josué Morel (Critikat.com)
3rd (tie): Tótem – 3.7/5
‘Like its characters, ‘Tótem’ goes to great lengths to avoid overwhelming emotion.’ – Luc Chessel (Libération)
‘Lila Avilès captures closely the family dynamics and the emotional journey of young Sol, reflecting the essence of childhood.’ – Julien Rousset (Sud Ouest)
TOP 3 MOVIES ACCORDING TO VIEWERS:
1st: Flow, the Cat Who Was No Longer Afraid of Water – 4.2/5
‘The most beautiful animated film of the year, featuring ultra-immersive spatialization and a universal theme about the necessity of community for survival.’ – Naughty Doc
‘WARNING! This animation is a visual masterpiece. The journey of an abandoned cat is breathtaking, filled with humor and emotion. A must-see!’ – deckard77680
2nd (tie): Anora – 4/5
‘The standout film of 2024, a bona fide Cannes winner, delivering an intensely satisfying experience for its audience!’ – Christoblog
‘Remarkable in its approach and cinematography, Mikey Madison shines as a leading actress.’ – donniedarko1
2nd (tie): Juré n°2 – 4/5
‘A modern version of ’12 Angry Men.’ – Pierre
‘Eastwood once again demonstrates his exceptional talent, offering a profound and timeless reflection on the depths of the human soul.’ – Zola Ntondo
2nd (tie): Sur un fil – 4/5
‘A tribute to the Nez pour rire association! A fascinating look into an unusual profession in hospitals, featuring outstanding performances.’ – Marie B.
‘A delicate film providing a rich perspective on the underrecognized role of children’s clowns in healthcare.’ – Isabelle Cote
* Based on AlloCiné’s ratings as of November 1, 2024, for films released on October 30 with at least 10 reviews for the press top. This list excludes films previously released.
TOP 3 MOVIES ACCORDING TO THE PRESS:
1st: Flow: The Cat Who No Longer Feared Water – 4.3/5
‘An absolutely stunning animated film that completely reinvents the genre.’ By Laurent Cambon (aVoir-aLire.com)
‘Flow is a remarkable achievement, almost miraculous, as it successfully fulfills the ambitious technical, aesthetic, and narrative challenges it sets from start to finish.’ By Adrien Delage (Konbini)
2nd: Anora – 4.2/5
‘The story takes us in unexpected directions, skillfully shifts tones, and constantly reinvents itself, all without any dull moments, melodrama, or moral judgments.’ By Stéphanie Belpêche (Le Journal du Dimanche)
‘Like its titular heroine, Sean Baker’s latest film captivates, convinces, and charms with its youthful vigor, irreverent boldness, and above all, versatility.’ By Frédéric Mercier (Positif)
3rd (tie): Juré n°2 – 3.7/5
‘A very understated direction with palpable emotion that builds to a spectacular and unexpected final scene rich in symbolism. Although this may be Eastwood’s last film, it stands among his finest. I swear it.’ By Françoise Delbecq (Elle)
‘Beneath the surface of a small but compelling thriller, Eastwood reveals a profound depth. The film only grows more sublime as it progresses.’ By Josué Morel (Critikat.com)
3rd (tie): Tótem – 3.7/5
‘And if, like its characters, ‘Tótem’ goes overboard, it’s more to avoid melting into tears too quickly than to dazzle us.’ By Luc Chessel (Libération)
‘With close-ups and lively dialogue, Lila Avilès captures the energy of this family and the emotions surrounding little Sol as she navigates the unsaid—this is the very essence of childhood.’ By Julien Rousset (Sud Ouest)
TOP 3 MOVIES ACCORDING TO VIEWERS:
1st: Flow: The Cat Who No Longer Feared Water – 4.2/5
‘The most beautiful animated film of the year, offering an ultra-immersive spatialization of its direction, telling a universal story about the necessity of community for survival.’ By Naughty Doc
‘WARNING! This animated film is a gem and a visual knockout. The forced journey of an abandoned cat alongside other animals is absolutely stunning. Filled with references, humor, and emotion. A must-see!’ By deckard77680
2nd (tie): Anora – 4/5
‘This is the great film of 2024, the undeniable Palme d’Or winner, the perfect film that crowns the journey of an exceptional filmmaker, all while providing an intensely satisfying moment for viewers!’ By Christoblog
‘A remarkable film in its approach and cinematography, particularly highlighting the performances of the actors. Mikey Madison emerges as a major actress. A standout event on its own…’ By donniedarko1
2nd (tie): Juré n°2 – 4/5
‘It’s somewhat of a modern take on the film ’12 Angry Men.’ ‘ By Pierre
‘With this work, Clint Eastwood demonstrates his exceptional talent once again by elevating the narrative to offer a powerful and timeless reflection, returning to the very essence of cinema: exploring the depths of the human soul and providing viewers with an experience that is both emotional and intellectually intense, unforgettable.’ By Zola Ntondo
2nd (tie): On a Tightrope – 4/5
‘A tribute to the Nez pour rire association! A genuine investigation into a unique profession in a hospital setting. The fantastic actors include Alose Sauvage, the sick little boy, and the clown coordinator. Bravo, Reda Kateb!’ By Marie B.
‘A film of great delicacy providing an enriching and fascinating look at a profession that is still too little known: being a clown for children in hospitals.’ By Isabelle Cote
* Based on the ratings from the AlloCiné bar