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Focus on François Cluzet’s favorite movie scene, from a 1984 film directed by one of the greatest Italian filmmakers. Do you have an idea?
He is one of the names that count in the French cinema landscape. With notable roles in Intouchables, Tell No One (which earned him the César for Best Actor), Little White Lies and even Country Doctor, François Cluzet is clearly a must-see. So when we have the opportunity to ask him what his favorite movie scene is, we listen attentively to his answer!
Favorite movie scene of Francois Cluzet (who is one of those French stars with an American lookalike) is based on an Italian classic: Et vogue le navire, directed by Federico Fellini.
The story ofAnd the ship sails begins in 1914 in the port of Naples, the scene of unusual events. European high society, made up of renowned artists and politicians, is preparing, during a cruise, to scatter the ashes of the adored singer Edmée Tetua. The first manifestations of war will hit the carefree passengers hard…
“The generic ofAnd the ship sails of Fellini“we answer without hesitation Francois Cluzet when asked what his favorite movie sequence is. “Because it’s theater. It’s a fake ocean liner. There’s a dock, with people boarding.”
“It’s theater, it’s in black and white”continues the actor, recently on the bill for Un métier sérieux. “Then suddenly, color appears. We see life happening thanks to color. We go from theater to cinema thanks to the transition from black and white to color. I recently saw the film again, it blew me away.” The interview of Francois Cluzetaccompanied by images of the scene in question, can be discovered in the player above.
“A film in the style of the first films”
And the ship sailsreleased in theaters in 1984, was shot entirely in the Roman studios of Cinecittà. The feature film required 8 sets, 40 sets, 120 actors and hundreds of extras.
Federico Fellini wanted, with And the ship sailsto make a film “the old way”. “I wanted to make a film in the style of the first films, so in black and white, even striped, with damp spots like a piece from a cinematheque”declared at the time the transalpine filmmaker, to whom we owe major works such as La Strada, La Dolce Vita or Huit et demi. “A fake, in short, and that’s precisely what appealed to me because I think that’s how real cinema should be.”
The trailer for “And the Ship Sails”:
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