After an action-oriented X-H2S, Fujifilm launches the X-H2. A response to very defined 24×36 boxes which also opts for a very developed video mode. A versatile device ready to face any situation.
With the X-H2, Fujifilm transforms the test. Its new range is very complete, very versatile and almost flawless. By nitpicking, we can always say that the APS-C X-Trans sensor, even if it is 40 Mpx, is always a step behind the 24×36 sensors of equivalent definition. Similarly, the autofocus tracking would need a little tweaking to reach the level of the best. The X-H2 remains an excellent case at ease on almost all terrains.
Strong points
- Construction and ergonomics.
- Resistance to moisture and dust.
- Sensor stabilization.
- General responsiveness.
- Highly effective AF subject detection and tracking in stills and video.
- High resolution mode.
- Full video mode.
- Image quality in video.
- Viewfinder and touchscreen on ball joint.
- Recharge via USB and shoot while powered.
- Complete connectors and double slot for storage.
Weak points
- Sometimes erratic autofocus tracking.
- Maximum buffer memory perfectly usable only with a high-end memory card.
- Too limited management of autofocus zones.
- Limited exposure latitude.
- Rolling shutter marked in video.
- Older menus.
Alternatively
Panasonic arrives in force in the microcosm of 24×36 sensors with the Lumix S1. Behind the marketing promises, a supercharged technical sheet for photo and video performances that are there. The set is very convincing thanks to excellent ergonomics and significant customization. Panasonic achieves near-faultless performance, at the cost of a size and a weight that take the brand away from the original philosophy of compactness in the segment of hybrid cameras.