VIDEO Sandrine Kiberlain: her poignant secrets about her family’s history


Guest on the set of 8:30 p.m. on Sunday, on January 23, 2022 on France 2, Sandrine Kiberlain presented her film A girl who is well, inspired by the history of his family during the Occupation. She confided in this heavy past which she inherited.

Sandrine Kiberlain takes the reins behind the camera. Several years after receiving the César for best female hope for To have or not) and Best Actress for 9 months firm, the 53-year-old actress signs his first feature film titled A young girl who is well, in theaters Wednesday, January 26, 2022. This film tells the story of Irène, a 19-year-old Jewish woman who dreams of entering the conservatory, during WWII. “I wanted the film to be timeless. So that it would allow us to bounce back to the current period, so that we never forget. Without falling into anachronism, it is not because we are under the Occupation that we can’t say we love each other, with a life drive that’s all the stronger because she feels threatened. My heroine is a little bird in a storm”, confided the mother of the family to the readers of West France, Sunday January 23, 2022.

She was inspired by her “heritage” for A young girl who is well

To make this film, Sandrine Kiberlain drew on the history of her own family. Indeed, her grandparents, Polish Jews, arrived in Paris in 1933. Invited on the set of 8:30 p.m. on Sunday, on January 23 on France 2, she mentioned the testimony of her maternal grandmother. “It took a while” for the latter to tell him what she had experienced during the Occupation. “Corn I am imbued with this history, it is my heritage”, explained Sandrine Kiberlain to Laurent Delahousse.

And to continue: “I used everything she told me but also encounters that I was able to do to process this point of view where she told me – my grandmother and many of those I have met who came out alive from this period – that it was a period, when they were hidden, where they were very happy, there was a joy of life and a desire to live no doubt because of this threat which was becoming more and more present. There was a life drive and that’s what I wanted to film. Not showing the war but showing in the present what they were going through when they were 20 years old and they couldn’t expect us to know what happened today. ” A speech charged with emotion.



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