Barbara Schulz: “Motherhood is not a permanent label!”


In Drama on the high seas, which she shares the poster for, Wednesday January 12 at 9:10 p.m. on France 2, with her companion Arié Elmaleh, the actress plays a woman who lost her husband and her son during a suspicious shipwreck .

The writers of High seas drama have they tried to draw a parallel with the affair of Bugaled breizh ?

Barbara Schulz: Yes, that was clearly the intention, even though the investigation is not complete and therefore it is difficult to speak about it explicitly. The sub-picking hypothesis that arises in the story is not a far-fetched theory. It is something that is totally believable. But the stake of this fiction is not there. Rather, it is about showing what people go through when they are faced with a tragedy. And that the truth of the facts is not delivered to them. They are in a way doubly victims …

Is the frantic investigation in which Nolwenn, your character, your character, a derivative to forget the pain of having lost her husband and her son?

Certainly yes. Mourning like this is so overwhelming, it has such a great unfairness that this is the solution she finds. And then Nolwenn also wants to honor their memory. As long as there is a doubt, she grabs it … You know, it’s complicated to maintain empathy for a heroine for a long time on screen. It must then have a fight to wage.

Do you understand that she can put Lig, her remaining child, aside because she lost another?

I understand it. Everything is possible in life because the soul is complex. And Nolwenn is a human being before she is a mother. Motherhood is not a permanent label! Like everyone else, she is fallible.

Is it special to give the answer to someone you know as well as Arié Elmaleh, your companion?

No, it’s nice and pleasant because there isn’t this barrier of modesty and embarrassment. It’s even very nice because we give each other little tips and support each other. We know that we will not be judged and that we will be entitled to a benevolent look … We are also well established in this exercise because we have worked together several times. In particular, we played at the theater for eight months a couple who tear themselves apart in The parakeet.

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