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This Sunday, March 3, 2024, Léa Drucker starring in the film “L’Été été” will be featured in the show “Têtà tête(s)” piloted by Laurie Cholewa. In one sequence, the actress spoke in particular about the nudity scenes that she had to shoot for the purposes of filming with her young on-screen partner Samuel Kircher. Being referred in advance helped her enormously in front of the camera!
This Sunday March 3, 2024 in “Têtà tête(s)”, Léa Drucker starring in the film “Last Summer” will unfilterly talk about behind the scenes of filming. In particular the love scenes that she had to shoot alongside her young on-screen partner Samuel Kircher. Something that was not easy but she succeeded with flying colours! © Canal+, Têtà tête(s)
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In the 7th Art industry, Léa Drucker has brilliantly carved out a special place for herself. The actress has been flourishing on stage and in the cinema for almost three decades. In 2019, Michel Drucker’s niece won the César for best actress for her role in Xavier Legrand’s work, Up to the hilt. More recently, Léa Drucker starred in the film Last summer which shook up the Cannes Film Festival in May 2023. A daring project which earned her a nomination for the César for best actress.
In front of the camera, the actress plays the role of a brilliant lawyer named Anne. While she is in perfect love with her husband Pierre (Olivier Rabourdin), the heroine sees her life turned upside down as soon as her stepson Théo (Samuel Kircher), then aged 17, moves into their home. Out of sight, the lawyer and the latter maintain a most passionate forbidden affair. But his tidy daily life will be shattered when the teenager reveals their romance to his father.
I had no idea how it was going to be filmed
Sunday March 3, 2024 on Canal +, viewers of One-on-one(s) will know more about behind the scenes of this shoot. Purepeople already invites you to discover an extract from tomorrow’s show… Facing Laurie Cholewa, Léa Drucker naturally spoke about the sex scenes which were not easy to shoot. Fortunately, she was able to count on the entire technical team. “I asked a lot of questions in preparation, very technical questions (…)”, admitted Julien Rambaldi’s companion. More and morereading the script”, Martha’s mother was completely unaware that director Catherine Breillat only wanted to make “close-ups of faces”.
“I had no idea how it was going to be filmed”admitted Léa Drucker who was able to speak with the screenwriter to get an idea. “So those are questions that I asked. I think I have limits (…). She explained to me how she wanted to film that. That it wasn’t the flesh but that it was would be the faces (…) and in fact the face was very difficult because it was very intimate. However, this unprecedented experience took her “elsewhere”. “Towards something I didn’t know (…)”, added Marie Drucker’s cousin, emphasizing that it was above all “a dance for two”. “I put myself in a state of confidence, not resistance, that would be too difficult.”
The entire interview with Léa Drucker by Laurie Cholewa in One-on-one(s) can be found tomorrow on Canal +.
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