A few days after the Miss France 2022 election ceremony, Sylvie Tellier responded to several criticisms of the show, including one that did not fail to amuse the chaperone of the Miss.
Since the election of Diane Leyre, Miss Île-de-France, as Miss France 2022, on December 11, many criticisms have been made with regard to the TF1 show. Labeled as anti-feminist or backward-looking, the show produced by Alexia Laroche-Joubert has been talked about a lot. Sylvie Tellier, the general manager of the company Miss France, shared a message she received on Instagram. Another criticism? Not really. This message from a viewer, with an ironic air, amused Sylvie Tellier. She shared it in her story. “I found it really unfortunate, during the election of Miss France 2022, that there was not the music of Love Actually at the time of the coronation… It was so much better before!“, can we read there.
In a deceptively serious tone, Sylvie Tellier replied the following: “Dear Marie, I forward your message to our producer, Frédéric Gilbert. “Like a breath of fresh air, this message must have made the Miss chaperone laugh.
>> Discover Diane Leyre, Miss France 2022
Soon to be replaced by Camille Cerf?
In The hidden face of Miss France, documentary broadcast on December 10 on RMC Story, we learn that the former Miss Camille Cerf could replace Sylvie Tellier. Hubert Guérin, collaborator of Geneviève de Fontenay, made the revelation. “Today, behind the scenes of Endemol and the competition, we are starting to bring up several former Miss France, including Camille Cerf, Miss France 2015, who would be very interested in taking over the management, he explains. Will it be next year or in two years? I do not know. What is certain is that Sylvie Tellier will not stay very long. She herself said that she did not want to become the new Geneviève de Fontenay. She doesn’t want to make it her life. “This election could therefore be the last of Sylvie Tellier as director of the company Miss France.
Article written in collaboration with 6Medias.
Photo credits: Bruno Bebert / Bestimage