“One of the richest artists”: Benjamin Biolay demolished by a famous ex-minister

Attacked by Benjamin Biolay during the health crisis, Roselyne Bachelot scratched the singer. In her book, the former minister does not mince her words…

At the moment, Benjamin Biolay has his ears ringing … Attacked by Michel Polnareff and Michel Fugain in recent weeks, the singer was taken to task by a former minister. In the columns of Paris Match this Thursday, January 5, indeed, Roselyne Bachelot does not mince words about the performer The superb. According to whoever publishes 682a book in which she recounts her time in rue de Valois, she describes him as one of the “most frisky artists” with “a toast well buttered and on both sides”. Violently criticized for her management of the cultural world during the coronavirus pandemic, Roselyne Bachelot did not appreciate Benjamin Biolay’s attacks. “It’s been a hundred days, a little more, that we’ve been on dry bread, it’s not nothing. It doesn’t deserve to be picked up like that, based on numbers”he was annoyed in particular on Europe 1.

“I find that our supervisory minister is a little absent, except to rebuff us when we say nonsense, but we don’t need a minister to understand that we are talking bullshit…”, he was annoyed, then evoking a response from Roselyne Bachelot to a rant from the actor Pierre Niney. The former husband of Chiara Mastroianni was still angry: “we are fully aware that there is a pandemic, that it is catastrophic, that there are 80,000 dead, as she reminded Pierre Niney. This was not the purpose of the approach of Pierre Niney to be snubbed. He explained the life of all artists and all people who love culture”. But his remonstrances were not to the taste of Roselyne Bachelot. On the contrary…

Roselyne Bachelot: “I have forgiven the insults and brutality of certain artists”

“The hypocrisy of thanking me backstage and attacking me on stage, I found that difficult, added months after Roselyne Bachelot, invited this Thursday, January 5 on the airwaves of RTL. Even if I must admit that there was such suffering not to be in contact with the public, it is undoubtedly them (the artists, note) that I understood best. But in the columns of Paris Match, the former minister draws a mixed record of her time in government. “Culture has not been forgotten, it has simply disappeared from public debate; the economic crisis, the war against the virus have pushed it into the background. It was almost ‘a concern of the rich’, she acknowledges. (…) I have forgiven the insults and the brutality of certain artists, because the money from the subsidies does not compensate for the fact of being cut off from the public.

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