six directors in the running for the 76th edition, a record in the history of the competition

Five weeks before the first climb of the steps, the 76e Cannes Film Festival unveiled its official selection in Paris on Thursday April 13, by the president of the festival, Iris Knobloch, and the general delegate Thierry Frémaux.

A total of 19 films have been selected, including those by Wim Wenders, Ken Loach, Wes Anderson, Catherine Breillat and Kore-Eda will be in competition. The jury will be chaired by Ruben Östlund, a Swedish director who won two Palmes d’Or, whose Without Filterlast year.

Six directors will be in the running, a record in the history of the Festival. Among these women, two French women, directors Catherine Breillat and Justine Triet. Also note the presence of a young Senegalese filmmaker Ramata-Toulaye Sy, the Tunisian Kaouther Ben Hania, the Italian Alice Rohrwacher and the Austrian Jessica Hausner.

The film that will open the festival, Jeanne du Barry (out of competition), is also directed by a woman: the Frenchwoman Maïwenn. This film ensures the great return of Johnny Depp, after the judicial soap opera which opposed him to his ex-wife, the American actress Amber Heard, against a backdrop of accusations of domestic violence then mutual accusations of defamation, settled at million dollar shots.

“Strong presence” of the African continent

In addition, the fate reserved for artists targeted by accusations of sexual violence promises to be scrutinized, while new accusations of sexual violence concerning a monument of French cinema, Gérard Depardieu, were relayed on Tuesday by Mediapart. Last year, the rape charges against Sofiane Bennacer, the main actor of one of the films in competition, The Almond Trees were not made public until several months after the festival.

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Many filmmakers already palmed will return to competition, including the British Ken Loach, the Turkish Nuri Bilge Ceylan or the Italian Nanni Moretti. The competition “mixes young filmmakers who come rarely or for the first time [à Cannes] with veterans whose name, work and work we know. In terms of art, there is no expiry date for filmmakers or for works.said Mr. Frémaux.

The official selection, which includes films in and out of competition, presented at Un Certain regard or special screenings, is strong in films from the United States and Italy, he underlined, with in the parallel sections a film from Mongolia — a first in the history of the festival — and a “strong presence” of the African continent.

The 19 films in competition could be joined by a twentieth, Killers of the Flower Moon by Martin Scorsese, with Leonardo DiCaprio and Robert de Niro. This film, for the moment planned out of competition, could compete for the Palme d’Or. “The request has been made” to producers Paramount and Apple TV, underlined Thierry Frémaux. “The main thing is that we have an answer before the festival starts”.

Among the films out of competition will be screened the fifth part of the saga to the professor of archeology and adventurer: Indiana Jones and the Dial of Destiny. The festival has confirmed the appearance of veteran Harrison Ford.

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The faithful Pedro Almodovar also received his ticket for Cannes, with, for once, a Hollywood tropism: he will present a short film in the form of queer westernwith Ethan Hawke and Pedro Pascal, star of the series The Last of us.

Films in competition at the 76th Cannes Film Festival

Anatomy of a fall by Justine Triet

Asteroid City by Wes Anderson

Banel and Adama from Ramata-Toulaye Sy

Club Zero by Jessica Hausner

Fallen Leaves by Aki Kaurismaki

fire brand by Karim Ainouz

Youth (documentary) by Wang Bing

Last summer by Catherine Breillat

The Chimera by Alice Rohrwacher

The Passion of Dodin Bouffant by Tran Anh Hung

The Zone of interest by Jonathan Glazer

Il Sol dell’avvenire by Nanni Moretti

Olfa’s Daughters (four daughters) by Kaouther Ben Hania

Kuru Otlar Ustune (The Dry Herbss) of Nuri-Bilge Ceylan

May-December by Todd Haynes

Monster by Kore-Eda Hirozaku

Perfect Days by Wim Wenders

Rapito by Marco Bellochio

The Old oak by Ken Loach

The World with AFP

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